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In the Village

A vision in white

If you come across a herd of cotton walking by the ditch, you're not dreaming.
Brad Haslam is.

copy94_Debbie alpaca
copy94_Debbie alpaca
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DEBBIE AND BRAD HASLAM know they are a little extreme as animal nuts go, even for Corrales. Who would start their farm with a brandnew barn, house, and herd of 27 alpaca? They can’t even claim to be innocently bitten by the Corrales bug—they’re both Albuquerque natives.
    To see the herd, though, is to get a pretty good idea of how a would-be gentleman farmer might be struck by a dose of enchantment. Woolly and petite, with their flirty eyes, these alpaca are snow-white, a striking vision against the Haslams’ 13 acres of greening pasture between the ditches on the north end of Corrales.    
    The herd is Suri Alpaca, a once-rare breed that differs from the more wellknown Huacaya for its silky, soft fleece that hangs in dreadlocks rather than fluffing up in a woolly carpet. Suri were reserved for royalty in Incan times, but their popularity in North America—especially since their fleece fetches a higher price—led to one of the boom-and-bust cycles common with exotic livestock.
    Brad Haslam confesses that he has always harbored a fantasy about farming. A distributor for Stryker medical devices for three decades, he still works part-time and cycles avidly, but could not get the agricultural bug out of his system. Last year he and Debbie bought the large grassy parcel north of the defunct Corrales Furniture factory, erected a large barn and double-wide trailer to live in, and began building an even larger house.
    “We picked alpaca because it’s an exotic animal,” Debbie says. “And we’re soon to have eight grandkids, and alpaca are easy to handle.” Also, the camelids are a lot more personable than goats, Brad notes. Fans know alpaca are charming, friendly, low-maintenance, and always poop in the same spot.

Brad alpaca
Brad alpaca
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  “It’s a hobby,” Brad hastens to add, “and part-time business.” He says the goal is to sell the babies (cria) and fleece. Ten cria should be available by June. Named VAME Alpaca Farm after the initials of their four children, the enterprise is a puzzle to those namesakes, Debbie says, who probably expected their parents to settle into something more typical, like touring the West in a big RV.
    “When you’re passionate about it, it’s not really work,” Brad offers—though it turns out that Debbie, at this point, is doing most of it.
    The animals all have names, and many wear name tags. Debbie is learning their personalities. A breeder in Santa Fe was going out of business, and “the deal was to take the whole herd,” Brad says. His modest goal is to earn enough to cover feed, which is only two bales a day.
    Even that will be taken care of once the pasture, which is planted in a special alpaca blend, is ready for the animals to range free. VAME will be the largest Suri Alpaca farm in the Albuquerque area.
    Debbie would like to learn to spin. A Great Pyrenees puppy is learning to be guardian to the cria. Workmen and trucks travel to and fro, tractors work the pasture, and the curious woolly beasts are settling into their new home—as perfect a place as any to be touched by the farming bug.


A bark-on part

'Discovered' hound spends her moment of fame lying down

Barbara Wells
Greyhound advocate Barbara Wells with Africa (left) and Karma.
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A SLEEK BLACK rescue Greyhound from Corrales has landed a role in a hot new TV series from Fox featuring deceit and intrigue in ancient Egypt.
    Barbara Wells, who volunteers with Greyhound Companions of New Mexico (GCNM), heard from the rescue group this spring that Albuquerque Studios wanted canine actors to play the sight hounds pictured in ancient hieroglyphs.
    Twentieth Century Fox TV and Chernin Entertainment were filming the pilot for Hieroglyph, an action-adventure series dramatizing fantastical goings-on in the courts of ancient Egypt. Fox is shooting 13 episodes in the Duke City, produced and created by Travis Beacham (Pacific Rim, Clash of the Titans).
    After looking at photos of various GCNM adoptees, the show’s director called Wells and asked her to bring in her Spanish Greyhound, named Africa. She brought Africa and her black Greyhound, Karma.
    Ultimately, Director Miguel Sapochnik wanted two black hounds, Karma and another GCNM rescue. That was lucky for the dogs, since “Karma has been obedience-trained, so she will do a down-stay, sit-stay for me. Africa wouldn’t,” Wells said. Karma, age 5, came from an “Oops” litter—unknown sire, and thus ineligible for racing. Wells rescued her soon after birth.
    On March 20 she brought the dogs for a full day of shooting at the Mesa del Sol studio, which has been home to a number of shows set in the deserts of Africa and the Mideast. Karma was called upon mostly to exercise her talent for lying down, at which she excels.
    “It was nice to have them there,” Wells said of the dogs, “because one actor said, ‘They must be show dogs,’ and it was nice to say, ‘No, these are rescues, and they’re really good dogs.’”
    Wells has long been partial to the breed, and has two of the miniature Italian Greyhounds as well. “For me, looking at the dogs, they are beautiful,” she explained. “Their temperament is not what people think. They are not hyperactive. They’re mostly couch potatoes.” Africa demonstrates the truth of this observation by rolling over.
    Wells wasn’t told whether dogs would appear in any future episodes. But the pilot, at least, gives Greyhounds some welcome exposure. There are always more of the dogs needing adoption than available homes, she said, especially in the case of Spanish Greyhounds (Galgos), which are bred for hunting and often cruelly executed after a few years.
    In New Mexico, at least, a rescued Greyhound can make minimum wage— “enough to get a few nice dog toys,” Karma’s person promised.